It’s physics. But this test re-emphasized my thoughts that Canon DSLRs remain the best for long-exposure deep-sky imaging where you can give images as much exposure time as they need, while the ISO invariant Sony and Nikons exceed at nightscape shooting where exposures are often limited and plagued by dark shadows and noise. Dual Card Slots That’s the range that’s considered optimal for the sensor hardware. The advantage of purely electronic viewing is that the image you are previewing matches the image you’ll capture, at least for short exposures. I’m not here to knock Sony, in fact I shoot with one, using an A7R for my astro work because of this issue. It is a step in the right direction, but not an optimal solution regarding ease of use. I can’t speak for other Sonys but in the a7III it is not so much an issue of “star eating” but “star rendering.” But Nikons have similar issues of oddly colored stars. As such, I would have expected a more uniformly illuminated sensor. In-Camera Image Stacking I saw nothing to the extent Ian showed. You can take full advantage of wide-angle lenses, great for auroras. In well-exposed images, I saw little difference in image quality. When the assigned button is pressed, a screen pops up allowing you to choose from “Setting Effects On” or “Setting Effects Off”. The Sony A7Rii is a powerful camera for night imaging that continues to grow in popularity among night photographers, yet many are unaware of the significant impact various camera setup parameters have on their usage of the camera at night. Display Options Many night photographers are citing Bright Monitoring as a valuable feature that soon becomes indispensable in their work. After reading about it myself, I tested what i’d read, and saw it to be true. Sony A7 III, A7R III, A9 Astro Settings: ISO. it is to be expected that, on A7s3 with bigger pixels, the effect will still strongly show up and that sony is still turning a deaf ear to the astrophotographers. The a7III offers 4K video and, at 24 frames-per-second, is full-frame. I do not think any other camera maker has this option!!! And the new a7sIII rumoured to come out soon would also be interesting to test. Second, it appears that Bright Monitoring turns off after a period of inactivity, while Live View Display does not. By assigning the Application List to the [C4] button, I can easily switch to using my tablet device for camera control. The Custom Key assignments and Menu Settings I recommend will result in the following LCD/EVF behavior. But to develop all the images from Sony, Nikon, and Canon equally for comparisons, ACR is the best choice. With hundreds of menu choices scattered among six top-level menu tabs and dozens of sub-menu pages, it can be a daunting task to find the specificÂ settings you want to change. So points to Sony here. Cannon doesn’t seem to be even trying to catch up. “The 2008-vintage 5D MkII had a 5-frame buffer!” This is with the EVF and rear LCD Display OFF, and the camera in Airplane mode to turn off wireless functions to further conserve battery power. I use a Canon T5i right now as I’m new to the craft. UntilÂ some trusted source can provide me with a valid reason to set the Display Quality to Standard rather than High, I see no reason to accept anything less than the highestÂ quality available in the Sony A7Rii. I think the most I have learned is from PhotoPills and now the Spot Stars part and the NPF rule for the different cameras and apertures selected giving shutter speeds versa the 500 rule. A touchscreen LCD would make this feature extraordinary, but as it stands today, it is not very useful and I rarely use it. Turning this ON superimposes a shimmering effect on parts of an image judged in focus. This is important for us landscape photographers, especially when it comes to low-light and night photography. Further info on the algorithm and its effects (info is for A7RII/RIII, but should apply to A7III): Which camera in the set has the lowest noise? I just read your evaluation of the Sony A7III in Sky & Telescope. Noise will be higher in sensors with smaller individual pixels. As versatile as a mirrorless camera is for lens choice, making use of that versatility requires buying the right lens adapter(s). Auto 100-8000 ISO range. On the one hand, the problem of compression artifacts has been eliminated, but at the cost of greatly increased file size: The advantage of using the new, 14-bit uncompressed RAW format is tempered by the doubling of the RAW file size, which not only increasesÂ storage space requirements, but also the computational power required of the editing equipment in use, especially when considering that many astro-landscape techniques involve the layering of a large number of images within editing software. And isn’t that what you care about? When used with the Genie Mini (below) the Sony fired at only every other pulse if it was in Single shot mode, an oddity of Sony’s firmware. My children and grandchildren are the reason, but it's the passion that drives … When using a slow shutter speed with ND filter for waterfalls on a Sony mirrorless camera, like the Sony A7riii or A7iii, don’t forget these settings: Use a tripod. Forget the verbal arguments from authority — I invite you to do the experiment. And what you want to use the camera for. Sony provides four methods to help overcome this problem: Of the four methods listed above, the one most effective in simplifying use of the Sony A7Rii is item 4, Custom Key assignments. If capturing RAW images, the Creative Style setting will be written to the EXIF data,Â but ignored when creating the RAW image file. The default behaviors of the finder (EVF) and monitor (LCD) on the Sony A7Rii presents a potential for rapid energy depletion if not carefully managed. Depending on the aperture and shutter speed selected, the brightness of the sky and the location, you can try anything between 800 ISO and 3200 ISO. is this the opposite effect as stacking, which adds “other frsmes” with unwanted noise?). I would like to receive information about it! I put the new Sony a7III mirrorless camera through its paces for the features and functions we need to shoot the night sky. The Focus Hold Button is found only on specificÂ lenses, none of which I own. Here’s another area where the new Sony a7III really shines. Ie. If your photo is too dark, add more time to the shutter speed until the exposure is right. Nevertheless, noise performance of the Sony a7III was still excellent, with both the Sony and Nikon handily outperforming the Canon 6D MkII, with its slightly smaller pixels, by about a stop in noise levels. While the 6D MkII has HD video, it is incapable of any low-light video work. Professionals, hobbyists, newbies and those who don't even own a camera -- all are welcome regardless of skill, favourite brand, gear, gender or age. The Bulb Timer would allow setting long Bulb exposures of any length in the camera. ISO Invariance Iet’s say you are comparing similar size photos between sensors that have larger vs smaller pixels. I’ve read so many good things about the D750 for night photography, which your review corroborated, and seen so many great images taken with it, but I have all Canon-mount lenses, which wouldn’t be compatible, so probably don’t want to go there. However, I emphasize that the noise increase from using LENR with the Sony was visible only when severely boosting underexposed images in processing. I have finally been convinced to turn this … We will see if your theory proves correct! Is the a7III as good for low-light video as the Sony a7s models, with their larger 8.5-micron pixels? I think any really ‘serious’ astrophotography users would be looking at a dedicated astro camera (CCD or CMOS), but know you can get some amazing results with a ‘normal’ quality camera such as those compared in this review. Sometimes you’ll have to go higher. As you surmised, the a7III is the first and only Sony mirrorless I’ve used. In default mode the LCD is powered on and the EVF is off. The Monitoring is equal to a 30 sec ISO 100 shot when I was using my 50mm f/1.8 lens. SAIFFER Settings Set up your camera with the following settings: Shutter Speed: Use1/60 sec or faster […] Wow! Each allow further +/- tuning for Contrast, Saturation and Sharpness. The design lends itself to video shooting, with many mirrorless cameras offering 4K as standard, while often in DSLRs only high-end models do. I have updated the Review with some new tests to address questions raised by some of the commenters. When Manual Focus Assist is set to ON (by default), whenever you turn the focus ring the image in the display is magnified 5x, to aid in precision focusing.Â At first glance this might seem useful, but in night photography it is not. So when the camera is idle, there is no power being utilized by the display system at all. Get more results I ’ m really on the Sony A7Rii for night photography is the as., though not great – “ ISO invariant ” performance in awhile the. 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